littleBits envelope, littleBits, Flerfarget, 127 mm, 203,2 mm, 19,1 mm, 72 g
FBAC4895-B52C-4E03-B099-A6A8F8B8017B Created with sketchtool. 706D6907-81E1-46A2-B8F9-7B702A1EF2C7 Created with sketchtool. 6A870209-E7F5-44F5-A66F-09E20C85A0DC Created with sketchtool. 0BB04D6C-A9AB-4913-BF4F-5A23954E68E1 Created with sketchtool. 501E26C7-66C1-4DAA-B740-6CFAF55A1B39 Created with sketchtool. C105F7D3-D5EE-43C9-9EE8-05CC42B296D4 Created with sketchtool. D94689D8-7CBB-41C8-AC06-F79D81FF82D5 Created with sketchtool. DA4C7ED9-2512-4D52-94F0-92800F2A6E04 Created with sketchtool. 42E133FD-828F-4CF4-A0BF-560014487A57 Created with sketchtool. F52D9745-4BFD-4506-BEEF-630FD09EF2D9 Created with sketchtool.
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The envelope modifies the loudness contour of a sound. It takes a sound input and shapes it into something you’d hear from an acoustic musical instrument, like a piano or saxophone.

The envelope of a sound has a big effect on the character of the sound. The envelope Bit is a modulator, which is an element of a synthesizer that alters the main audio signal with another signal.

The envelope Bit has two controls: ATTACK, which is how long it takes to ramp up to maximum volume, and DECAY, which is how long it takes to fade to silence again. You can use its third bitSnap to trigger the envelope from different sources, like the keyboard.

To emulate a bowed instrument, use a longer attack and decay time. To emulate a string pluck, use no attack and a short decay time. To emulate a percussive stirke, use no attack and vary your decay time to short or medium times.